Azura Technologies

It’s awkward to set up. Menu is like something from 20 years ago.
Firmware issues have yet to be addressed by the manufacturer. This is inexcusable as the camera has been available for sale for nearly a year.
Audio is useless. They could have saved weight and cost by just not including a mic. The only instance where it even sort of works is when mounted right near a loudish sound you want to highlight, such as an engine.
There are too many instances where “Macgyvering” is required to get the desired result. The quick release mount rattles so you need to tape the base plate, the non waterproof back allows too much wind noise, so you need to tape over the openings, the shutter button rattles, so you need to tape over that. Moral of the story: BUY TAPE.
The support by the manufacturer is not quite adequate. I realize it’s a small start up company, but for all the issues with the use of the camera and the handling/editing of the files, they really need to release some conclusive videos or articles to address these concerns.

The only reason I have not given it a full 5 stars is the difficulty in reading the small status screen with all the various modes it has. The same issue I have with the standard definition HERO. The icons that tell you if you are in burst, still, timed, or video mode are very small across the top of the display. The numbers to tell you the number of pictures or videos taken are much larger. It is just difficult if you have the camera mounted on top of your helmet and you try and look in the mirror on your bike to see if the camera is on and what mode it is. You have to use the select button on the front to both turn the camera on and select the right mode. The shutter button is on top and is easy to operator even with gloves. It is not difficult to read the display if you are holding the camera in front of you, but much more difficult when mounted on top of your helmet. You can unclip the camera from the mount, but that can be difficult when it is on top of your helmet.

I am looking forward to the expansion port options being available, like the LCD screen to view the videos in the field. I am also thinking of investing in the chest strap mount so I can get different view over the handle bars as will as making it easier to see the small status display. Other than the small icons telling you which mode, this is a very nice camera that takes very high quality action videos. It is very small and light and easy to use when you have it in the right mode. I would highly recommend this camera to anyone wanting action videos of their bicycling, motorcycle, or skiing activities.

People who might find this camera useful:
Auto racing enthusiasts
Mountain Bikers
Sailors
Hobbyist videographers looking for those unique shots

People who will likely be disappointed and frustrated by this camera:
Pretty much anyone who thinks they’ll be using it as a camcorder.
People who aren’t really tech savvy and/or have an older computer
People who don’t like to tinker and engineer solutions to make it do what they want.

I’ve owned (and subsequently got rid of) the Nikon 55-200mm and Sigma 18-250 OS. This lens beats them both significantly. The Sigma 18-250 OS was pretty nice when I needed to take only one lens with me, but that situation is rare.

I hardly shoot telephoto, but when I do, I’m glad I can turn to this new Nikon 55-300mm VRII lens. Low light focus hunts a little bit, but that’s expected – and it’s significantly better than the Sigma at equivalent low light.

This lens is much better than the older Nikon 55-200mm VR often sold as part of the kit. That lens feels like a toy with a plastic mount and cheap plastic feel. This lens has a much better build quality. Consequently, it’s also more expensive.

If you’re debating about the Nikon 55-200mm vs. this lens, I highly recommend you get this lens. I’ve been very happy with it.

The VR on this lens is great. The detail I get with hand-helds just amazes me. It has Nikon’s VRII image stabilization and it even has a tripod detection mode that reduces any vibration from shutter release when it’s on a tripod.

Colors are rendered accurately and the contrast is pretty sharp even at the max aperture. The lens is compact for a 300mm and it’s lighter than my AF-S DX 18-200mm which I use as my regular walk-around. I’m sure the new 55-300 will be used as my walk around pretty frequently also.

All in all for an APS-C lens, Nikon did a great job with this one – especially for the price. It’s a welcome addition to the DX line and I’m really glad I have one in my gear bag.

Tonights episode of Dirty Jobs showed this camera strapped to a head strap for the host, Mike Rowe, who was 408 feet above the cement floor decending & window cleaning in Hawaii. Troy chickened out on the first 100 feet so alot of the contour HD footage made it into the show. By the 300 foot balcony they got troy on the ropes but his hair got snagged in the safely line and had to get his second “shearing” on Dirty Jobs – it was also filmed on contour HD cams 300′ above hawaii. The quality was as good as the cable company could deliver in their 6:1 re-compression of HD. A full HD viewfinderless camera has value when you must get the shot.

using a sandisk 16GB microSD card and the maximum detail [1080P] + best quality I could get 3 hr, 6 minutes of video recorded with battery leftover. If you use the lower resolution setting the battery may be the limiting factor – I have not tried that yet.

I bought this to produce a bluray disc of a police helicopter team, using a gyro stabilized canon professional camera in back and wanting a 2nd angle up front. This comes with an adhesive patch that sticks to the side of the pilot’s helmet to give a 135 degree wide field of view. The integrated rails on both sides permit the ultimate flexibility in mounting the camera, and second options for this cam are car mounts, etc.

The quality is GREAT. The lens is the downfall – there is some pincushion effect due to the inexpensive lens and wide angle. I’ll deal with it for the price and the shots you can get with it, plus I can trim out the distortion in post editing.

One note – the output is .mov which is fine for macs, but for pc’s you will need to transcode if you run premiere pro cs4 from adobe as it does not import .mov natively. Perhaps that is a good time to clip the edges where the bent picture is most noticable.

Another factor to like is the simplicity. With gloved hands you slide the top forward to record and back to stop, with a beep to start and and double beep to stop – it’s very hard to mess up except for your horizon, which is why there are detents and lasers.

Detents and lasers?

Yes, – there are detents in the event you mount it on the right and left hand side of a helmet or rotate it in a mount. The 2 lasers can be turned on to tell you what is level with resepect to the imager. This is helpful when you rotate it but you must manually keep track of the bottom of the screen (below the laser points ) as you rotate it, otherwise your output will be upside down.

For the price, you simply can not beat it. Buy a 16 GB sandisk micro-sd card to go with it Sandisk 16GB Microsd Card Note that they have a low packaging option which the card is inside a plastic carrier and inside an ESD bag but no box or other trash with it that goes in the landfill – smart packaging.

One of the other great applications for this is taking HD video where you otherwise would NOT take your $3K camera – the beach – the water park – etc. You won’t get the absolute best quality but you will get 1080 p hd that is playable on macs or pcs in native players!

Another great use is for children. It’s easy to use, inexpensive, and highdef. For the kids who are beyond the toy grade cameras but not ready for a professional unit, this fills the gap. Adults will love its simplicity. On or Off – no fancy buttons to press, and everything complex is set while attached to the computer.